27. Mary Gentle, Golden Witchbreed (1983)
An envoy to the planet Orthe, dominated by a low-tech, communal, quasi-medieval culture, learns it’s not so “primitive” after all. The hard way. If you don’t look too hard at the science and focus on the political intrigue and culture-building*, it’s great. I don’t want to say more, lest I spoil it. I think I only counted three uses of “sardonic”.
- Orthe’s. The Earth that Lynne Christie comes from seems positively old-fashioned, especially with regard to gender, or maybe I just live in the future.
28. Joan Vinge, The Snow Queen (1980)
Picked this up because of Revisiting the Hugos. It’s sci-fi heavily steeped in fairytales and mythology. An oceanic planet named Tiamat cycles between long periods of Winter and Summer, each ruled by its own Queen. During Winter, interstellar trade and travel are possible; come Summer, which is dominated by traditional clans, offworlders leave Tiamat, taking new technologies with them. The current Snow Queen, seeking to maintain her power after the Change, secretly implanted several Summer women with clone embryos. The lone surviving clone, Moon, becomes a sibyl—a sort of oracle-mystic forbidden from the Winter city of Carbuncle. Nevertheless, she goes in search of her cousin Sparks, who has become the Snow Queen’s lover, and eventually to meet her own destiny. (Wow…I feel like I’m writing back-cover copy. Sorry.)
The part I enjoyed most, however, was the subplot about Jerusha PalaThion, a world-weary Carbuncle policewoman who gets drawn into the Snow Queen’s far-ranging schemes. It’s the little details that bring The Snow Queen from the mythic down to earth.
29. Octavia Butler, Dawn (1987)
The first Xenogenesis book. After an apocalypse, a woman named Lilith finds herself in the hands—well, tentacles—of aliens aspiring to redeem the human race, one hybrid baby at a time. There’s weird yet pleasant alien sex—does anyone write weird alien sex better than Octavia Butler? I’d like to read the rest of the series before making any grand pronouncements.
30. Geoff Ryman, Air (2004)
Trippy and awesome blend of magic realism and near-future sf. I loved Mae, the main character; she’s stubborn, petty, cunning, and dauntlessly entrepreneurial. Desperate to stave off poverty, she takes advantage of her access to the soon-to-be omnipresent technology called “Air” (the Internet in your head, basically) and attempts to educate—and prepare—her tiny village in the fictional Central Asian nation of Karzistan. She also has to contend with her failing marriage, rival neighbours, the return of a devastating flood, and Mrs. Tung, an old woman who upon death took up residence in Mae’s head. As you do.
31. Loretta Chase, Lord of Scoundrels (1995)
“In my dictionary, romance is not maudlin, treacly sentiment…It is a curry, spiced with excitement and humor and a healthy dollop of cynicism.”
I was SO ON BOARD with this Regency romance. You’ve got Jessica Trent, this feisty, ridiculously competent, nearly anachronistic bluestocking, and Sebastian Ballister, Marquess of Dain (just “Dain”), who is Tall Dark and Handsome Brooding Bad Boy squared. No, cubed. After an extended fiery Slap Slap Kiss flirtation, they get caught in a compromising position and Jessica lawyers up and gets him to marry her to Preserve Her Honour and all that. However, it takes them a little longer to become reconciled to each other. It’s so smartly written and consciously not quite over the top that I can forgive (and, hell, even enjoy) the spurts of bodice-ripping purple prose.
And then the plot made a sharp left turn that left me cold, and by “cold” I mean “throwing up in my mouth a little”. Jessica crosses paths with Charity Graves, a prostitute who has a young child (now a “ragged, filthy urchin”) by Dain. Dain explains how when Charity found out she was pregnant she wrote to Dain’s lawyer asking for—well, child support, basically.
“How much do you give her, by the way?”
“Fifty,” he said tightly. “More than enough to feed and clothe him—and let her spend all she makes on her back on herself. But I daresay the rags were all part of her game: to make me appear the villain of the piece […]”
“Fifty a year is more than generous. How old is he?” Jessica demanded. “Six, seven?”
And they also talk about how Charity totally could have gotten an abortion so she’s just a greedy bitch, plain and simple, and not once does Jessica get mad at Dain for, I don’t know, his habit of frequenting prostitutes all the friggin’ time. I was willing to chalk up the earlier slut-shaming to Jessica being jealous, but this just…yeeeeah. ?Did not finish.