5. Lauren Beukes, Moxyland (2008)
6. Walter Mosley, Futureland (2001)
A pair of grim post-cyberpunk dystopias, impressively fleshed out and featuring multiple narrators representative of near-future Cape Town and near-future black America, respectively. (Futureland, published in 2001, actually opens in 2004, but never feels dated. Moxyland, on the other hand, with its faintly twee fictional brandnames and references to BoingBoing, may not age as well.)
Best, for varying values of “best”, idea from Futureland: White Noise, the underclass of permanently unemployed Americans who live in a dismal honeycomb of cells called Common Ground, cut off from the economy. From Moxyland: crowd control that involves exposing the crowd to a highly degenerative but non-contagious virus, thus requiring everyone to turn themselves in for a vaccine.
Come for the interesting, if dense, political and technological extrapolation; stay for the characters. In Futureland we meet, among others, an indomitable woman boxer competing with men, a prisoner who hatches an escape plan under the tightest surveillance imaginable, an assembly-line grunt promoted to a life too good to be true. The standouts in Moxyland are a young photographer turned corporate guinea pig and a scrappy rich kid dabbling in political subversion. But be warned—nobody gets off easy. The future, as it turns out, is very unfriendly.